A meeting between the daughter and the grandmother of the director, Iván Mora Manzano, at a time when the memories of one, the girl’s, were taking shape, and the other’s the grandmother’s, were vanishing. This starting point is used as a pretext to talk about other topics such as the importance of family memories and the search for memory.
La bisabuela tiene Alzheimer is of 0 hour(s) and 52 minute(s). It is Produced By: La República Invisible. It was released on 2012-05-13.
Genres: Documentary
Top 20 Movies like La bisabuela tiene Alzheimer
(Bernard Bovet le vieil homme à la caméra)
It has an average vote of 5 on TMDB.
Xulia was getting treatment at a rehab center back in 1985, when something happened that changed her life. Years after that, she published 'Imperfect Future', a memoir turned into a book. This short film is a dive in what's left of all that.
(Mémoire entre deux rives)
How much can you trust your childhood memories? Director Sam Firth investigates, sweeping her parents into the experiment and on a journey into the past.
Day after day, an elderly woman recalls the Spanish Basque country of her youth — while forgetting she is consigned to a retirement home in Chile.
It has an average vote of 7.2 on TMDB.
A grandmother takes her granddaughter to visit her past memories through old photographs.
(Con Traje y Sin Zapatos)
In Asturias, the Duro Felguera company dismissed 232 employees in 1993. From then on, a ten-year struggle began for the workers to be reinstated. "Resistencia" is the story of a workers' struggle that ended up triumphing.
It has an average vote of 5.2 on TMDB.
(Gerais da Pedra)
A cellar. A forgotten amphora. The ashes of a woman. Her granddaughter, daughter-in-law and son characterise her, entwining their memories and experiences. They reflect about filial love, gender and isolation through her overbearing nature.
Pegah talks about Gholam, a man who’s not like her father, mother, uncles, or aunts, even though he’s always present at family gatherings. Gholam films these everyday scenes with his own camera. At the time, Pegah can’t imagine what the purpose of these films might be, but she’s happy to pose before the lens of this family friend, who she’s certainly very fond of.
It has an average vote of 8.25 on TMDB.
My grandfather Tuiu decides for the second time to leave his house and start a life elsewhere, he lives</p><p> with the street hardships, and the fact of leaving is linked to the depredation of that place.
The veiled story of Japanese diaspora in Mexico and the endurable impact of historic silence in its descendants is portrayed through testimonies and an exploration of landscape and choreography, questioning the formation and theatricality of individual and collective identity. When everything that's left of history are memories, how are invisible wounds healed? Yurei goes through different zones in Mexico towards an exploration of memory.
A man is fascinated by the structures and environments surrounding him and willing to break external and internal limitations to approach them.
It has an average vote of 8 on TMDB.
Tracing the life of activist Costis Achniotis, the film develops within the history of the Cypriot radical Left and the bicommunal movement for reunification. In parallel quests between the past and present and with an auto-ethnographic approach, the filmmakers bring together personal artifacts, new and archival material, exploring the dialectics and poetics of the ethnic clash and division in Cyprus.
A flock of memories activated by various musical exercises, to strike the past to the heart, to build something utopian: the future, a sonic architecture. Music as a tool, transcriptions of YouTube tutorials as poetry, percussion exercises as descriptions of reality.
Memory prevents rest and a woman about to die takes advantage of cinema to tell her story and to say goodbye. A terrace as a border and a song that crosses time. At home, nothing is always—and everything is still—in the present and defunct now. A home movie of ghosts, a generous gesture of intimacy and solidarity that not witnesses two people at the end of their long lives, but also reveals the weight of history and of the 20th century, which is always present today.
In this film from late in his career, Kramer returns to Hanoi after nearly 25 years to re-envision the city’s struggle through an uncertain and daunting past, present, and future. The Vietnamese characters in the film are diverse: Kramer’s former guide from an earlier visit in 1969; a tight-rope walker in the national circus; a man who took photos of B-52s and another who lost his fingers shooting them down.
It has an average vote of 7 on TMDB.
Musing on the nature of memory, Don Hertzfeldt recounts stories about a kiss from The King, a floating child in a backyard and a giant foot.
It has an average vote of 8 on TMDB.
(Tan só o demo lembra)
It has an average vote of 10 on TMDB.
