A grandmother takes her granddaughter to visit her past memories through old photographs.
Retrato de Dora is of 0 hour(s) and 15 minute(s). It is Produced By: Espaço Líquido Audiovisual. It was released on 2014-10-23.
Genres: Documentary
A grandmother takes her granddaughter to visit her past memories through old photographs.
Retrato de Dora is of 0 hour(s) and 15 minute(s). It is Produced By: Espaço Líquido Audiovisual. It was released on 2014-10-23.
Genres: Documentary
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Musing on the nature of memory, Don Hertzfeldt recounts stories about a kiss from The King, a floating child in a backyard and a giant foot.
It has an average vote of 8 on TMDB.
Fordlandia Malaise is a film about the memory and the present of Fordlandia, the company town founded by Henry Ford in the Amazon rain forest in 1928. His aim was to break the British rubber monopoly and produce this material in Brazil for his car production in the United States. Today, the remains of construction testify to the scale of the failure of this neocolonialist endeavor that lasted less than a decade. Nowadays, Fordlandia is a space suspended between times, between the 20th and 21st centuries, between utopia and dystopia, between visibility and invisibility: architectural buildings of steel, glass, and masonry still remain in use while traces of indigenous life left no marks on the ground.
In this film from late in his career, Kramer returns to Hanoi after nearly 25 years to re-envision the city’s struggle through an uncertain and daunting past, present, and future. The Vietnamese characters in the film are diverse: Kramer’s former guide from an earlier visit in 1969; a tight-rope walker in the national circus; a man who took photos of B-52s and another who lost his fingers shooting them down.
It has an average vote of 7 on TMDB.
Pegah talks about Gholam, a man who’s not like her father, mother, uncles, or aunts, even though he’s always present at family gatherings. Gholam films these everyday scenes with his own camera. At the time, Pegah can’t imagine what the purpose of these films might be, but she’s happy to pose before the lens of this family friend, who she’s certainly very fond of.
It has an average vote of 8.25 on TMDB.
A documentary featuring internationally renowned photographer Toni Hafkenscheid as he explores hidden stories behind iconic architectural structures once considered "Visions of the Future" from the 1960's. This film is a light-hearted look at the way we perceive life and embrace modern advancements. It is a photography expose that becomes a personal journey of self-discovery while exploring innovative Visions of the Future that celebrate memories of Toni's, and our, collective past.
Tracing the life of activist Costis Achniotis, the film develops within the history of the Cypriot radical Left and the bicommunal movement for reunification. In parallel quests between the past and present and with an auto-ethnographic approach, the filmmakers bring together personal artifacts, new and archival material, exploring the dialectics and poetics of the ethnic clash and division in Cyprus.
Memory prevents rest and a woman about to die takes advantage of cinema to tell her story and to say goodbye. A terrace as a border and a song that crosses time. At home, nothing is always—and everything is still—in the present and defunct now. A home movie of ghosts, a generous gesture of intimacy and solidarity that not witnesses two people at the end of their long lives, but also reveals the weight of history and of the 20th century, which is always present today.
The veiled story of Japanese diaspora in Mexico and the endurable impact of historic silence in its descendants is portrayed through testimonies and an exploration of landscape and choreography, questioning the formation and theatricality of individual and collective identity. When everything that's left of history are memories, how are invisible wounds healed? Yurei goes through different zones in Mexico towards an exploration of memory.
A flock of memories activated by various musical exercises, to strike the past to the heart, to build something utopian: the future, a sonic architecture. Music as a tool, transcriptions of YouTube tutorials as poetry, percussion exercises as descriptions of reality.
Revisit photographs created by Kentucky school children in the 1970s and the place where their photos were made. Photographer and artist Wendy Ewald, who guided the students in making their visionary photographs, returns to Kentucky and learns how the lives and visions of her former students have changed.
It has an average vote of 6 on TMDB.
How much can you trust your childhood memories? Director Sam Firth investigates, sweeping her parents into the experiment and on a journey into the past.
(Mémoire entre deux rives)
My grandfather Tuiu decides for the second time to leave his house and start a life elsewhere, he lives</p><p> with the street hardships, and the fact of leaving is linked to the depredation of that place.
Xulia was getting treatment at a rehab center back in 1985, when something happened that changed her life. Years after that, she published 'Imperfect Future', a memoir turned into a book. This short film is a dive in what's left of all that.
(Bernard Bovet le vieil homme à la caméra)
It has an average vote of 5 on TMDB.
A cellar. A forgotten amphora. The ashes of a woman. Her granddaughter, daughter-in-law and son characterise her, entwining their memories and experiences. They reflect about filial love, gender and isolation through her overbearing nature.
(Con Traje y Sin Zapatos)
A New Yorker journeys to the jungle in the Darien Gap of Panama to reconnect with an indigenous tribe he met and photographed 20 years ago. Their reunion highlights the profound power of photos and the human connection that transcends cultural barriers.
A man is fascinated by the structures and environments surrounding him and willing to break external and internal limitations to approach them.
It has an average vote of 8 on TMDB.
(O tecido da memoria (My room number is cucumber))