The subtitles respond to each other and remind us with joy and joy that if we live, it is to die.
Bienvenue ! Va crever ! is of 0 hour(s) and 4 minute(s). It is Produced By: . It was released on 2001-01-01.
Genres: Animation
The subtitles respond to each other and remind us with joy and joy that if we live, it is to die.
Bienvenue ! Va crever ! is of 0 hour(s) and 4 minute(s). It is Produced By: . It was released on 2001-01-01.
Genres: Animation
Top 20 Movies like Welcome! Go to Hell!
Norman McLaren made Scherzo early after his arrival in North America in 1939, but the film was subsequently lost. In 1984 the original materials were found and the hand-drawn images and sound were reconstituted. Picture and sound dance triple-quick in this animated version of a musical scherzo. A film without words.
It has an average vote of 6.2 on TMDB.
Black kites soar on thermals along the Kamo river in Kyoto. Flags billow. Cacti spin. Plum trees blossom. Pigeons make love atop a clock. Friends chat by the riverside. Filmed February/March 2019 on a single 40 year old cartridge of Kodachrome Super 8 and hand-developed in Caffenol. The film was heavily fogged, but there are some images.
The Philosophy of Horror is a seven-part abstract adaptation of Noël Carroll’s influential film theoretical book of the same title , which is a close examination of the horror genre. The film uses hand painted and decayed 35mm film strips of the classic slasher movie A Nightmare on Elm Street and its sequel A Nightmare on Elm Street 2: Freddy's Revenge .
In a bold and original approach to memory, this Lettrist-inspired film maps an anxiety-ridden plane journey from Tokyo to Helsinki without the aid of photographic images. A variety of interventions on the film strip are combined with an atmospheric sound design to create a subjective story of displacement and containment. In an age when experience is increasingly mediated through digital technologies, Taanila seeks out an alternative language in the sensuous surfaces of the celluloid material.
It has an average vote of 6.7 on TMDB.
Of late, Kago has also taken to posting his even less-known video work to his YouTube channel. In these jokey short films, many of them crudely animated, Kago's sick sense of humor reaches its full heights of absurdity. There's a playful surrealist sensibility to Kago's work, as well as a tendency to revel in the ridiculous, the crude and the disturbing. His work straddles a weird boundary between avant-garde experimentation and low-brow fart jokes — the punchline of one of these films is literally an oozing torrent of shit — although, admittedly, his videos seem to lean a bit more heavily towards the fart jokes than his comics. But hey, who doesn't appreciate a good fart joke once in a while?
The final 17 years of American singer and musician Karen Carpenter, performed almost entirely by modified Barbie dolls.
It has an average vote of 7.151 on TMDB.
A boom operator attempts to record the noise mushrooms make in this semi-experimental animation inspired by the world of sounds.
In 2013, Lei Lei and Thomas Sauvin collected numbers of black-and-white photos from Chinese flea markets and imagined that all of them belonged to one fictional Chinese person. Through rendering, collage, and a cyclical process of hand coloring, scanning, and printing, connections among the photos were created.
Barry Doupé’s Thalé experiments with the phenomenology of light and colour through fiber-optic flower arrangements. Doupé’s animations are inspired by the Thale Cress plant, which is commonly used in biological mutation experiments. His rotating electronic floras, which resemble neon lights, sex toys and fireworks, glow in the dark digital void. - Amy Kazymerchyk, Fabulous Festival of Fringe Film
It is well known that the disposition of the images drawn by Escher are neither for animation nor for pre-animation; actually, quite the opposite. His images appear to be the carrying out of metamorphic dissolves. A bird gives way to the recognition of a house, which turns into fish, which turns into birds, and so on. Not a single flapping of wings takes place; everything is reiterated and fixed, becoming immersed in and re-emerging from a static continuum. All of Escher is an homage to one of the major animating forces of the cinema: the cross-dissolve. Precisely there, I found cinematic attitudes: in the house which turns into fish and in everything that transforms into something else. I gradually managed to figure out various types of non-existent sequences and then finally found myself dissolved, crossing over metamorphically. —P.G.
It has an average vote of 6 on TMDB.
An experimental animated short film using abstract painting to explore the tension field between abstraction and recognizability.
It has an average vote of 6 on TMDB.
In this child's game, a live-action boy and girl draw characters and compete who is better. The girl draws a flower and the boy draws a car that runs it over. Then a drawn lion chases a drawn girl, until it all becomes frightfully serious.
It has an average vote of 6.2 on TMDB.
Expeditious.
From the infinitely small to the infinitely large, all things in the universe are tightly connected: they interact and restructure in a combination of movements and perpetual metamorphoses.
You Take Care Now, an early student film, is a perfect exemplar of Ann Marie Fleming's idiosyncratic vision and stands as one of her signature works. Made on 16mm, and incorporating found footage, original material, animation, and processed images , Fleming's film offers a visually dazzling, emotionally wrenching, oddly humorous account of two profound personal traumas.
It has an average vote of 8 on TMDB.
Both a scientific and dreamlike documentary at once, Ghost Cell is a stereoscopic plunge into the guts of an organic Paris seen as a cell through a virtual microscope.
It has an average vote of 5.7 on TMDB.
The mutating forms of Tensai Banpaku, or “Genius Expo” create a stunning abstract orchestra.
It has an average vote of 2.5 on TMDB.