A young journalist is looking to learn and talk with the Lebanese legend, Fairuz.
هذه ليست فيروز is of 0 hour(s) and 9 minute(s). It is Produced By: Ananas Productions. It was released on 2015-06-05. It has the tagline: A young journalist is looking to learn and talk with the Lebanese legend, Fairuz.
Genres: Documentary
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An Israeli film director interviews fellow veterans of the 1982 invasion of Lebanon to reconstruct his own memories of his term of service in that conflict.
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A nine-year-old Syrian refugee girl contemplates her increasingly bleak future after being forced to drop out of school in the midst of Lebanon’s unprecedented economic collapse and battle with Covid-19.
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Tribute to the Druze Kamal Jumblatt, Minister of Economy and Agriculture and founder of the Progressive Socialist Party in 1949. He was one of the architects of the departure of President Bechara el-Khoury , before playing a major role in the events of 1958. From 1960 to 1964, Kamal Jumblatt assumed, under the presidency of Fouad Chehab, various ministerial functions . . After the conflict of June 1967, he gradually approached the Palestinian organizations. In 1969 he became Minister of the Interior; in August 1970, he supported the election of Soleiman Frangié as President of the Republic. Following the Lebanese-Palestinian clashes of May 1973, he took sides against the head of state, established himself as the leader of the National Movement in 1975 and engaged in a revolutionary armed struggle against the Lebanese Front. Hostile to Syria's intervention in Lebanon, he broke with it . He was assassinated near a Syrian checkpoint in 1977.
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Kamal Jumblatt, the Master of Moukhtara Castle, recounts the major events of his life until his assassination on March 16, 1977.</p><p> The film takes us on a global journey from Lebanon to India, in the footsteps of Kamal Jumblatt, the founder of the PSP , the leader, the rebel, the reformer, the thinker, the poet, the Yogi … Kamal Jumblatt becomes the last witness... of his own life.
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Migrant families experience violence, but they also keep beautiful memories when they arrive in new lands. Fantastic and intimate stories, recalled from childhood, travel across time and space, magically intermingling with the help of the four elements and breaking the boundaries of cinema.
Jean-Claude walks his dog in a neighborhood forever stuck in reconstruction. On his trip, he wonders about life, mortality, and 'what if' scenarios while remembering fragments from the direct impact of the second that almost cost him his life on August 4. At the moment of the explosion, the end of the world, bodies, buildings, roads, and cities may shatter. Perhaps the universe itself breaks apart. But the most severe fragmenting remains that of memory. A picture here and a sound there are vaguely reconstituted. Can a future be built from such a memory? Can it rebuild what was lost? Is it time to leave?
It's war. War against an invisible enemy that is not as deadly as we are told. The world is changing rapidly. Disproportionate measures are taken worldwide that disrupt society as a whole. A dichotomy in society forced vaccinations and restrictions on freedom. Have we had the worst? Or is there something more disturbing to awaiting us.
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Intimate discussion with the inhabitants of Kfarbaal, a village tucked in the mountains above Byblos. We hear them share their experiences, deceptions and dreams.
Lebanon's brief flirtation with space travel in the 1960s becomes a poignant metaphor for the Arab world's utopian dreams in this riveting documentary.
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Sayedat Al-Kasr traces the history of the Joumblatt family of Mount Lebanon from the 17th century to the present, focusing on early 20th century leader and politician Nazira Joumblatt. Born in 1889, Nazira ascended the throne of the Moukhtara palace in 1923, following the assassination of her husband Fouad and the resignation of her brother Aly Joumblatt. She presided over the region as Lady of the Palace for twenty-five years while raising her son Kamal, preparing him to take his place in a long line of Jumblatt leaders. Famous for her wisdom and strong personality, Nazira boldly entered the Lebanese political scene at a time when this field was entirely dominated by men. Unwavering, she contributed to maintaining peace and stability in Lebanon for many years, earning the respect of men and women, whether Druze or Maronites.
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Lebanese director Angie Obeid embarks on a road trip with her father, Mansour, retracing a journey he made 42 years ago. She tries to reach out to the young Mansour, understand the decisions he made when he was her age, and find common ground. The film explores the challenges and opportunities that arise when navigating the boundaries between tradition and modernity, family and individuality, home and the wider world.
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‘Objects of War’ is a series of testimonials on the Lebanese war. Each person chooses an object, ordinary or unusual, which serves as a starting point for his / her story. These testimonials while helping to create a collective memory, also show the impossibility of telling a single History of this war. Only fragments of this History are recounted here, held as truth by those expressing them. In ‘Objects of War’, the aim is not to reveal a truth but rather to gather and confront many diverse versions and discourses on the subject. ‘Objects of War’ started in 1999 assembling the testimonials of eleven persons. It was first shown in 2000 . It continued in 2003 with ‘Objects of War n°2’, recording seven additional testimonials. This time however, and since then, the recorded material is left unedited, shown in its integrity. The work of collecting and assembling these stories continued with ‘Objects of War n°3 & n°4’ in 2006 and ‘n°5 & 6’ in 2014.
(Líban, retrat de l'empoderament)
Ibrahim Sultani is a 22-year-old architecture major who has a hobby of painting portraits on banknotes. On them, he portrays Lebanese icons from the fields of music, cinema, sports, media, fashion, and many more due to the common appreciation and love that Lebanese citizens share for them. Due to the economic crisis that exists within the country, he hopes his work will give the currency back some of its lost value, at least metaphorically.
Wanting a better life for herself and her unborn child, Amani goes on an illegal journey to flee Lebanon. However, the plan becomes at risk when a woman reports Amani to security while she is hiding in the bathroom stall of a British airport.
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Beirut, Lebanon. Hassan is assembling wooden boards. His wife is dead. He is building her coffin. Tamara and Rami, the children, in their twenties, are helping him as best they can to fulfill her last wish: to be buried in her childhood village, abandoned for more than 20 years.
In Beirut 1986, during the Lebanese civil war a Korean diplomat is taken hostage without a trace. Two years pass and long forgotten, a young diplomat Min-jun receives a phone call proving that the hostage is still alive. With the given mission, Min-jun is sent to Beirut to save the hostage with a bag of ransom money.
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Wajdi and Maia are spending their last days together before Wajdi travels to a new start away from the Lebanese situation.
Mounia searches for her lost cat among the ruins of the Beirut port explosion. Joined by her best friend Ghady, they navigate the remnants of their city on a quest to recover what's been lost.
Oum Karim, a 60-year-old Beiruti lady, is used to preparing Lahm Bi Ajin once per week.
