Earl Kenneth Kaufmann is the Scary Guy. Banned and kicked out here and there. Because of his looks. A motivation trainer and speaker who campaigns worldwide to eliminate hate, violence, prejudice, and bullying in schools and corporations. In addition to being a tattoo shop owner, comic, entertainer, inspirational speaker, and performance artist.
Scary – Furchterregend is of 1 hour(s) and 28 minute(s). It is Produced By: Filmworks, ARTE, BR. It was released on 2007-02-12.
Genres: Documentary
Top 20 Movies like The Scary Guy
A scream amid so many silences, an attempt to rescue the human's gaze upon himself.
It has an average vote of 10 on TMDB.
Young people who decide to leave their home to seek opportunities for the future face different difficulties on a daily basis. The inevitable estrangement with family and lifelong friends. The constant lack of understanding, the coldness and individualism of the new city. The stress and even the feeling of being a stranger back home. This journey to the future sets out issues about identity, nostalgia and courage, while they fight to find their place in a changeable world.
A look at the end of the footballing television career of Ron Atkinson
It has an average vote of 10 on TMDB.
Beneath the fury of Ferguson unrest, an affable professor dedicates his life to actionable, peaceful change while attempting the grueling triple crown of ultra-marathon swimming.
Controversy erupts over a New-Deal-era mural of the namesake of San Francisco’s George Washington High School. The thirteen-panel artwork "The Life of Washington" by Victor Arnautoff offers a view of the Founding Father both celebratory and critical, referencing his involvements in slavery and Native American genocide.
In Hillary's America, bestselling author and influential filmmaker Dinesh D’Souza reveals the sordid truth about Hillary Clinton and the secret history of the Democratic Party. This important and controversial film releases at a critical time leading up to the 2016 Presidential campaign and challenges the state of American politics.
It has an average vote of 5.5 on TMDB.
The pupils of about fifteen secondary schools in the suburbs of Paris react to the projection of two short films taken from the series "No More Lies ! 12 perspectives on everyday racism". Their comments, questions and reactions are of course focused on the subject of racism, but they also take a stand about what it means to have two cultural identities. Is it enough to be born in France in order to feel French ? What is their vision of a society obsessed with the idea of integration? What do they expect of the future ? With their questions and their protests, they often put their finger on the heart of the issues at stake. Beyond fiction, we discover their reality...
In the age of social media, nearly every day brings a new eruption of outrage. While people have always found something to be offended by, their ability to organize a groundswell of opposition to – and public censure of – their offender has never been more powerful. Today we're all one clumsy joke away from public ruin. Can We Take A Joke? offers a thought-provoking and wry exploration of outrage culture through the lens of stand-up comedy, with notables like Gilbert Gottfried, Penn Jillette, Lisa Lampanelli, and Adam Carolla detailing its stifling impact on comedy and the exchange of ideas. What will the future will be like if we can't learn how to take a joke?
It has an average vote of 7.2 on TMDB.
A documentary view of an encampment of homeless people on the outskirts of Nashville, Tennessee in the Southern United States.
It has an average vote of 7.3 on TMDB.
The documentary "Caixa D'água: Qui-lombo is this?" It reports, through testimonies from former residents and photographic collections, the importance in the cultural and historical scope of the Getúlio Vargas neighborhood located in Aracaju, capital of Sergipe. Emphasis is placed on black culture and the presence of black slaves and their descendants, with the rescue of issues related to their origin, orality, geographical location and awareness of their racial identity, showing that, although this community exists in an urban area, it still maintains many aspects of the quilombo life of the former black slaves in Brazil.
Documentary based on interviews during the Birmingham Tattoo Convention in the early '90s.
On August 29, 1970 in East Los Angeles, a peaceful march of over 20,000 Chicanas/os, united in protest against the Vietnam War as part of the National Chicano Moratorium movement, was violently interrupted by an extreme, unjustifiable response by law enforcement. The tragic events of that day left four dead. Chicano Moratorium: A Question of Freedom is a harrowing, eyewitness documentary of the events of August 29, 1970 and their immediate aftermath, including the murder of Chicano journalist, Ruben Salazar. In contrast to biased TV news reports of the period, this student-made short offers an impassioned, unvarnished community account of the unrest and violence unleashed by the Los Angeles Sheriff’s Department in response to the otherwise peaceful march in protest of disproportionate Chicano casualties in the Vietnam War.
In March 2018, elite tattoo artists from across the globe came together in Chattanooga, Tennessee to celebrate the intersection of literary fantasy and artistic magic at the inaugural Literary Ink convention. “Literary Ink: A Wizard’s Journey” explores the lives, dreams, techniques and artistic inspiration of four of these Tattoo Wizards.
For the past year, our operative Patrik Hermansson has been living undercover, as Swedish student Erik Hellberg, at the heart of the alt-right. He infiltrated some of the most notorious far-right networks in the US and the UK, culminating in the violent clashes in Charlottesville 2017. He extracted damning information that runs all of the way to the White House. And he caught it all on hidden camera.
It has an average vote of 7.5 on TMDB.
The documentary is structured as a video letter from a black man denouncing the persistence of racism in Brazilian society and media, a century after the official end of slavery. Thus, it presents the contradictions between two images of racial relations in Brazil: the image disseminated abroad, which spreads the myth of racial democracy, and the internal image, presented in textbooks and on television, in which negative stereotypes are perpetuated against the black population.
It has an average vote of 8 on TMDB.
In this "beautifully intimate and utterly unique piece of cinema", Toby Amies crosses the line between filmmaker and carer, trying to cope with the strange and hilarious world view of the fragile eccentric, Drako Zarharzar. A love story. Drako Oho Zaraharzar can remember modeling for Salvador Dali and hanging out with The Stones. But he can’t remember yesterday. Following a severe head injury, Drako Zaraharzar suffers from terrible memory loss, he can access memories from before his accident, but can’t imprint new ones. As he puts it, “the recording machine in my head doesn’t work”. Consequently, and as an antidote to depression he chose to live “completely in the now” according to the bizarre mottoes delivered to him whilst in a coma.
It has an average vote of 6.2 on TMDB.
Juan Méndez Bernal leaves his house on the 9th of april of 1936 to fight in the imminent Spanish Civil War. 83 years later, his body is still one of the Grass Dwellers. The only thing that he leaves from those years on the front is a collection of 28 letters in his own writing.
You Have Struck A Rock! commemorates the special contribution of South African women to the success of the anti-apartheid struggle. It recovers the remarkable "women's campaigns" of the 1950s against the hated pass system. This massive, non-violent civil disobedience movement was only finally crushed by the 1960 Sharpeville Massacre and the banning of anti-apartheid organizations. Lilian Ngoyi, Helen Joseph, Dora Tamana and other leaders recall this struggle and their imprisonment and banning. Yet they remain undaunted, demonstrating the South African proverb: "When you have touched a woman, you have struck a rock."
Since the late 18th century American legal decision that the business corporation organizational model is legally a person, it has become a dominant economic, political and social force around the globe. This film takes an in-depth psychological examination of the organization model through various case studies. What the study illustrates is that in the its behaviour, this type of "person" typically acts like a dangerously destructive psychopath without conscience. Furthermore, we see the profound threat this psychopath has for our world and our future, but also how the people with courage, intelligence and determination can do to stop it.
It has an average vote of 7.7 on TMDB.
(Ink, Blood and Spirit)
It has an average vote of 10 on TMDB.
