Top 20 movies like The Metropolitan Opera: Carmen

The Metropolitan Opera: Carmen

Mezzo-soprano Clémentine Margaine reprises her remarkable portrayal of opera’s ultimate seductress, a triumph in her 2017 debut performances, with impassioned tenors Yonghoon Lee and Roberto Alagna as her lover, Don José. Omer Meir Wellber and Louis Langrée share conducting duties for Sir Richard Eyre’s powerful production, a Met favorite since its 2009 premiere.

The Metropolitan Opera: Carmen is of 3 hour(s) and 30 minute(s). It is Produced By:  The Metropolitan Opera. It was released on 2019-02-02.

Genres: Drama

1. Curse of the Black Cat (Cazar un gato negro)

Curse of the Black Cat

A notable opera singer tries to commit suicide because of a emotional breakdown. While hospitalized in a psychiatric clinic, her daughter cautiously approaches the man she considers to be the blame for the state of her mother in order to gain her revenge.

It has an average vote of 5.4 on TMDB.

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2. Aida (Aida)

Aida

(Aida)

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3. Lumee's Dream

Lumee's Dream

Lumee, one of the two main characters , sings this aria while smoking outside a nightclub in the second act, providing a window into her selfish fantasies. Not a recorded section of the opera, but a companion piece meant to depict the character's imagined realities.

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4. La Voix humaine

La Voix humaine

The Orchestra of the Royal Opera House presents a new production of Poulenc's short opera La Voix Humaine, featuring soprano Danielle de Niese and shot on location in Paris and London.

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5. Death

Death

An operatic film adaptation of the poem by Paul Laurence Dunbar of the same name.

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6. The Phantom of the Opera

The Phantom of the Opera

The deformed Phantom who haunts the Paris Opera House causes murder and mayhem in an attempt to make the woman he loves a star.

It has an average vote of 7.1 on TMDB.

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7. La forza del destino (La forza del destino)

La forza del destino

Film version of the Verdi opera about lovers on the run after the accidental death of the girl's father.

It has an average vote of 5 on TMDB.

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8. Eugene Onegin (Eugene Onegin)

Eugene Onegin

Tchaikovsky's much-loved opera Eugene Onegin, a story of love, rejection and tragedy based on Pushkin's verse drama of the same name.

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9. Farinelli (Farinelli)

Farinelli

The life and career of Italian opera singer Farinelli, considered one of the greatest castrato singers of all time.

It has an average vote of 6.576 on TMDB.

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10. Gallup (Na'nízhoozhí)

Gallup (Na'nízhoozhí)

Two mystical beings emerge from the scenery, embarking on a journey through Gallup— Na'nízhoozhí in the Navajo language— before melting back into the desert at nightfall.

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11. Portrait of a Knight

Portrait of a Knight

Portrait of a Knight is a musical romance about the way in which historic ideals inform contemporary urban life. Rachel is a young archivist living and working in Wellington, New Zealand. Feeling alone and disconnected from life, she projects her romantic fantasies onto the paintings she loves, until one day her song brings Reginald - a Knight of the Realm - to life. His carefree innocence and zest for life begin to open Rachel up to the beauty around her, but the fates have a way of making trouble when miracles occur...

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12. The Zolle Suite

The Zolle Suite

A dead woman wanders through the shadowy space between memory and reality, tracing the lines of her identity through the land she once walked—an immigrant in death as in life.

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13. Aida

Aida

Any performance of Giuseppe Verdi’s Aida at La Scala, Milan, is guaranteed to be an experience – but, when it’s a new production, it becomes a major event, especially given the theatre’s notoriously critical audience. Legendary stage director Peter Stein succeeds in delivering a lucid production acclaimed in equal measure by the press and public: “a perfect coup de théâtre” . A “stellar cast” contributes to the production’s success under the musical direction of Verdi specialist Zubin Mehta, who leads the orchestra in a “gorgeously colourful performance”, while “the entire ensemble is brilliant in its portrayal of the characters” .

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14. The Five Moons of Lorca (Las cinco lunas de Lorca)

The Five Moons of Lorca

A short opera about the assassination of poet and dramatist Federico García Lorca at the hands of Nationalist forces at the beginning of the Spanish Civil War.

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15. Positive

Positive

Twenty-two year old Neuroscience student Wendy is in the midst of a transition from pre-med to performance when she is thrown into quarantine with her 17 year-old sister, April. Suddenly sharing a full-sized bed, the sisters struggle to make peace with their newfound living quarters. But, while editing April’s college essays, Wendy discovers her purpose–to help April find hers. Over fourteen days, the girls grow from acquaintances to artistic allies as they realize their unstoppable potential to pursue their passion. Based on a true story, this film was shot in Houston with an entirely Texan cast & crew. Creator Abby Tozer donated $2500 to the Cynthia Woods Mitchell young performing artists' scholarship.

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16. Cavalli: Eliogabalo (Cavalli: Eliogabalo)

Cavalli: Eliogabalo

Systematically overturning accepted morals, Elagabalus dresses men as women, and names women to the Senate, favours sinning servants and humiliates generals. Baroque and carnivalesque, Eliogabalo is not, however, an opera that advocates a return to order. Leonardo García Alarcón, a finder of baroque gems, and Thomas Jolly are careful not to transform Eliogabalo into a sublime icon who would abase virtue. On the contrary, the conductor and young director, who are presenting their first production for the Paris Opera, accept the character’s contradictions and ambiguities

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17. Offenbach: The Tales of Hoffmann (Offenbach: Les Contes d'Hoffmann)

Offenbach: The Tales of Hoffmann

This adaptation of three tales by E.T.A. Hoffmann, with a sprinkling of Goethe’s Faust, portrays the German poet as both narrator and hero recounting his love affairs with Olympia, Antonia and Giuletta. Robert Carsen’s spectacular production highlights the melancholy genius of a man marked by life, with a coherence and dramatic sense remarkable for a work that leaves numerous questions unanswered. Under the baton of Philippe Jordan, Stéphanie d’Oustrac, Ermonela Jaho, Kate Aldrich, Yann Beuron and Ramón Vargas and Stefano Secco in the main role, interpret the legendary airs of this work whose brilliant mystery will continue to dazzle opera houses for countless years to come.

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18. Gluck: Iphigénie en Tauride (Gluck: Iphigénie en Tauride)

Gluck: Iphigénie en Tauride

In order to fulfil the oracle’s prediction, Iphigénie must kill any stranger landing on the shores of Tauride. Alas, it is Oreste, Iphigénie’s own brother, who appears, having murdered their mother Clytemnestra in order to avenge the death of their father Agamemnon: such is the accursed lineage of the Atrides, condemned for generations to inflict death after death… Will this chain of hereditary bloodletting be perpetuated by Iphigénie? In Krzysztof Warlikowski’s stunning first production for the Paris Opera, the characters in the twilight of their existence are still haunted by their past.

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19. Bizet: Carmen (Bizet: Carmen)

Bizet: Carmen

With a devilish sway of the hips and a hint of Andalusian flair, Carmen, the beautiful cigar-maker sets her sights on a soldier: Don José. Fate will do the rest. Composed to a libretto by Meilhac and Halévy based on Prosper Mérimée’s novella, the opera exploded the boundaries between tragedy and comedy with a modernity that caused a scandal at the time. Can we kill the one we love with love? The fiery beauty of Bizet’s music, where one unforgettable aria follows another, has worked year in, year out to make it the world’s most performed opera.

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20. Francesconi: Trompe-la-Mort (Francesconi: Trompe-la-Mort)

Francesconi: Trompe-la-Mort

An impressive masked figure, Trompe‑la‑mort reveals his true character through his impalpable latent energy and a plot abounding in tragic twists of fate. An ambivalent character, both regal in bearing and warmly protective, cruel and yet loving, rapacious and indomitable even in the face of madness, this ’Machiavelli among miscreants’ destined to become chief of police, uses his conquests to advance relentlessly in the pursuit of his aims whilst keeping his hand closely hidden. Guy Cassiers, working for the first time with the Paris Opera, portrays a three-tiered society where some rise and others fall.

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