1. The Most Beautiful Corner in the World (Najkrajší kút v šírom svete)
A reporter for a fictional television station, originally from Ukraine, travels around Slovakia and asks people at memorable places questions about the nature of fascism and the soul of the Slovak nation. The documentary essay seeks to capture the shape of a society on the fringes of the political spectrum through the words spoken and the images of crowd scenes.
2. CERN, or The Factory for the Absolute (CERN neboli Továrna na absolutno)
(CERN neboli Továrna na absolutno)
3. The Faces of Parkinson (De Gezichten van Parkinson)
The Faces of Parkinson shows the people who suffer from Parkinson's disease and the impact it made on their life and people around and close to them. As it also asks the question how one continues to stay positive with such a destructive disease.
4. Tangled Roots
An intimate look into Demers family's experience raising children while dealing with the societal stigmas around disabilities and the consequences of Alberta's forgotten experiment in eugenics.
5. Beautiful Solution
The film poem about pesticides reflects on the return to the natural food chain, in which insect pest serve as food for the higher order. The harmonic cycle of life and death, the temple that is the wildflower field resounding with the inebriating sound of crickets chirping and wheat spikes rustling in the wind, is invaded by the human, the ultimate consumer with no natural predator.
6. Healing Me (Let viny)
Director Tereza Tara fell ill at the age of twenty-five. She captured her ten-year-long journey to recovery, which took her deep into the past and to the edge of the abyss, in the form of a personal and poetic video diary. With her weakened kidneys, she visited doctors, psychosomatic experts, and an alternative healer who urged her to surrender herself into the hands of God. Gradually, she began to see the condition of her dual organs as a reflection of her unbalanced relationship with her mother, her partner, and her own body. She finally understood that if she wanted to find a cure for her diseased kidneys and start living a better life, she needed to understand herself better first.
7. Taurophilia (Asterión)
Through rhythmic re-composition of fragmented images, semi-surreal situations are explored in a documentary style of observation of a man's obsession with a powerful animal, the black horned bull, and the Spanish process of taxidermy through which he attempts to embody its beauty and strength, turning into a Minotaur. The subdued basement space in which the man meticulously studies the motionless flesh of the animal is preceded by a sunlit, empty arena in Spain, the stage in which the bull is presented in its full glory before facing man.
It has an average vote of 4.5 on TMDB.
8. Moravian Hellas (Moravská Hellas)
Karel Vachek’s graduate film offers us a documentary essay which is both a light-hearted and aggressive little piece and also a parody of investigative film journalism. The Strážnice folk festival, backed by the cultural Party apparatus of the time, for years had little to commend itself to authentic folklore. In the film the event assumes the form of a bizarre stage spectacle with almost surrealistic elements that Vachek reinforces with unconventional approaches . The result is a stirring film collage depicting various characters, from crowd-pleasers, Easter egg decorators, kitsch artists and peddlers, to museologists and local residents, all of whom come up against the eccentric "identical” twin reporters Karel and Jan Saudek and a bored actress who appears as an extra. Using their special blend of irony and wit, they present us with the sad truth.
It has an average vote of 5.5 on TMDB.
9. Litanie (Litanie)
Elen Řádová and Tomáš Mašín’s student work draws on the genre of action films, which are characterized by emotionally intense and violent scenes. Excerpts from period blockbusters are supplemented with visual effects and edited in a way that drives the particularities of the action film genre to the point of absurdity. The resulting visual whirlwind thus deliberately escalates—and thereby diminishes—the dramatic impact of the original footage.
10. how much is it uncomfortable for dogs to step out on a highway? (Za jak dlouho začnou pejska pálit tlapičky když vystoupí na dálnici)
The primary motif of the documentary is the journey. A metaphorical journey, a spiritual journey, a tangible journey, a forest path, a road, a sidewalk, a drug trip, or a journey abroad. The director pastes together a collage of micro-stories of people and places that comment on the journey. Her documentary oscillates between playful absurdism, existentialism and existential questions, environmentalism, and social commentary. The dynamism and rhythm of the narrative are then determined by the jumps between different forms of video, such as analogue film, digital film, and mobile phone filming.
11. VALE TUDO (VALE TUDO)
Lucia "Pretty Beast" Krajčovič is a 34-year-old professional MMA fighter and mother of two children. Shortly after giving birth, she is determined to become a champion in both disciplines - sport and motherhood. With a baby in her arms, she is preparing for her next fight. Under the immense pressure of her two identities, exhausted from lack of sleep, she wrestles with a question to which she had a clear answer not long ago. How to be both Pretty and Beast and for how much longer?
12. My Paradise Is Darker Than Your Hell (Moje nebe je horší než tvoje peklo)
Theatre director Jan Kačena poisoned himself in 2019 by inhaling fumes and suffered irreversible brain damage. While his partner makes a film as a declaration of love, he lies unconscious. In the film, the director follows moments in the everyday lives of three people close to him: Czech rapper Tyler Durden, painter Tadeáš Pochman and film director Helena Papírníková. In a naturalistic way, it captures drug addiction, self-destructive tendencies and family problems, which are the subject of intimate, often uncomfortable conversations. The result is a diary-style probe into the fate of the artistic bohemia of late capitalism.
13. Creature of the Sun (Sluneční Stvoření)
Childlike imagination, naive playfulness and an enchanted view of the world are at the centre of this poetic film. The child protagonists talk about their dreams, fantasies and experiences while touching on metaphysical questions of body and soul, life and death. Magic permeates every frame of this colourful collage.
14. Passportless Mess (Legenda bez pasoše)
An idiot for some, a genius for others. Zoran is an urban legend of a Serbian block of flats who allegedly travelled the whole world without a single ID on him. After that, he went nuts due to politics, war and MDMA. “I saw it with my own naked eye,” nodded a half-blind old man. Though a clear answer to the question who Zoran really was is not to be expected at the end of this semi-serious manhunt, it is more than sure that even if he did not exist, the locals must have had to think him up.
15. Honey Bunny Duracell (Honey Bunny Duracell)
A vivid encounter with former three time Czech National Boxing Champion. Experience the rise and fall in the career of a female fighter.
16. Ženy v uniformě (Ženy v uniformě)
(Ženy v uniformě)
17. Vianočný dar (Vianočný dar)
(Vianočný dar)
18. Ľudia a telefon (Ľudia a telefon)
(Ľudia a telefon)
19. Wallflowers in the Parade
With the banning of the religion in 1972, male Jehovah's Witnesses are made to spend their National Service in the detention barracks for two and a half years or longer. This documentary follows the lives of three male Jehovahs Witnesses and their lives in Singapore as well as the first Witness who was imprisoned in 1972.
20. Do Chile za zatměním Slunce (Do Chile za zatměním Slunce)
(Do Chile za zatměním Slunce)
