ListSimilar.

1. Lisbon Story

A musical cabaret singer meets a British agent and goes with him to Nazi occupied France to save an atomic scientist.

It has an average vote of 5.7 on TMDB.

2. When the Fern Blooms (Коли цвіте папороть)

Part folklore, part opera-ballet, this féerie presents local pagan traditions on the day of the summer solstice and historical events from Cossack times to the more recent 2014 Ukrainian Revolution of Dignity.

3. Mořská panna (Mořská panna)

(Mořská panna)

4. Dimitrij (Dimitrij)

Dvorak's masterpiece. 1981 telecast conducted by Jan Štych.

5. Giordano: Andrea Chénier (Giordano: Andrea Chénier)

This live from the Met telecast from October 1996 of Giordano’s infrequently performed verismo gem is an absolute pleasure to watch and listen to and I highly recommend it. Nicholas Joel’s production is extremely elegant while at the same time being simple and uncluttered. Act I, for example, is dominated by an enormous gilt-framed mirror precariously tilted. I assume that it is a metaphor for the imminent downfall of the decadent aristocracy at the party given by the Contessa di Coigny. The costumes designs by Hubert Monloup are terrific. The prerevolutionary costumes in Act I are simply stunning each one individually tailored for the choristers and major performers.

6. Eine Nacht in Venedig (Eine Nacht in Venedig)

The delightful light operatic farce by Johann Strauss is presented at the Morbisch Lake Festival starring Herbert Lippert, Richard Samek, Heinz Zednik and Dagmar Schellenberger.

It has an average vote of 6 on TMDB.

7. Romeo & Julio (Romeo & Julio)

Break-dance trash musical comedy/parody based on William Shakespeare's Romeo & Juliet.

It has an average vote of 2 on TMDB.

8. La forza del destino (La forza del destino)

Film version of the Verdi opera about lovers on the run after the accidental death of the girl's father.

It has an average vote of 5 on TMDB.

9. Eugene Onegin (Eugene Onegin)

In Trelinski's timeless production he leads a superb, first-class young cast headed by Artur Ruzinski as Onegin and Kristīne Opolais as Tatyana. Mariusz Trelinski, Polish filmmaker and theater director, has created a series of dream-like, surrealist tableaux of great suggestive beauty.

It has an average vote of 8 on TMDB.

10. Positive

Twenty-two year old Neuroscience student Wendy is in the midst of a transition from pre-med to performance when she is thrown into quarantine with her 17 year-old sister, April. Suddenly sharing a full-sized bed, the sisters struggle to make peace with their newfound living quarters. But, while editing April’s college essays, Wendy discovers her purpose–to help April find hers. Over fourteen days, the girls grow from acquaintances to artistic allies as they realize their unstoppable potential to pursue their passion. Based on a true story, this film was shot in Houston with an entirely Texan cast & crew. Creator Abby Tozer donated $2500 to the Cynthia Woods Mitchell young performing artists' scholarship.

11. Les contes d'Hoffmann - Opéra Bastille novembre 2016 (Les contes d'Hoffmann - Opéra Bastille novembre 2016)

(Les contes d'Hoffmann - Opéra Bastille novembre 2016)

It has an average vote of 9 on TMDB.

12. Chabrier: The Star (Chabrier: L'étoile)

L’Étoile did much to establish Chabrier as a major force on the Parisian stage and his contemporary Henri Duparc praised him specifically for creating a French comic genre, both funny and musical – described as something of a French Die Meistersinger. The fanciful story is set in an imaginary kingdom and all, naturally, ends well. However, despite the slight plot line L’Étoile is something of a pivotal work, a unique example of French 19th-century light opera, orchestrated with great sophistication and flooded with gossamer wit.

13. One

The chamber opera One represents a new kind of music multimedia drama. Michel van der Aa's poetic production of technological virtuosity fuses libretto, video, live music and soundtrack with the soprano voice and stage presence of Barbara Hannigan into One. Projected images and electronic sounds add emphasis to the onstage performance of the protagonist, while the recorded and live voice interact with incredible synchronicity.

14. One Sunday Afternoon

The third film version of James Hagan's play, this time with songs added, starring Dennis Morgan as a dentist who marries patient and loyal Dorothy Malone despite his constant infatuation with sexy flirt Janis Paige. Filmed previously in 1933 and 1941 .

It has an average vote of 6 on TMDB.

15. Aida

Any performance of Giuseppe Verdi’s Aida at La Scala, Milan, is guaranteed to be an experience – but, when it’s a new production, it becomes a major event, especially given the theatre’s notoriously critical audience. Legendary stage director Peter Stein succeeds in delivering a lucid production acclaimed in equal measure by the press and public: “a perfect coup de théâtre” . A “stellar cast” contributes to the production’s success under the musical direction of Verdi specialist Zubin Mehta, who leads the orchestra in a “gorgeously colourful performance”, while “the entire ensemble is brilliant in its portrayal of the characters” .

16. Evita

The hit musical based on the life of Evita Duarte, a B-movie Argentinian actress who eventually became the wife of Argentinian president and dictator Juan Perón, and the most beloved and hated woman in Argentina.

It has an average vote of 6.116 on TMDB.

17. Remains to Be Seen

A singer and her apartment manager get mixed up in a creepy Park Avenue murder and find themselves facing danger at every turn.

It has an average vote of 5.7 on TMDB.

18. Opéra National de Paris: Meyerbeer's Les Huguenots (Opéra National de Paris: Meyerbeer's Les Huguenots)

Les Huguenots is a monumental fresco featuring various impossible loves in the context of the Saint Bartholomew Massacre. Andreas Kriegenburg places these timeless conflicts of love and religion in an immaculate setting in which the costumes appear yet more flamboyant and the victims’ blood more violently red.

19. Wagner: Das Rheingold (Wagner: Das Rheingold)

Robert Lepage’s landmark staging of Wagner’s Der Ring des Nibelungen, unveiled over the course of the 2010–11 and 2011–12 seasons, was the first new Met production of the complete cycle in more than 20 years. Combining state-of-the-art technology with traditional storytelling, it brings Wagner’s vision into the 21st century. In this first part of the epic, the theft of the Rhinegold treasure sets in motion the course of events that will change the world and end the rule of the gods. Met Music Director James Levine conducts a cast of some of the greatest Wagnerian singers of our time, including Bryn Terfel as Wotan, Stephanie Blythe as Fricka, and Eric Owens as Alberich.

20. Falstaff

The Graham Vicks production of FALSTAFF opened the new Covent Garden Royal Opera House, and was not to everybody's taste; the garish primary colours of the costumes. The staging is effective--the complicated counterpoint of the ensembles is reflected in unobtrusive blocking that keeps the vocal lines clear and separate, especially in the final fugue. Bryn Terfel's Falstaff is a memorable creation, self-mocking and self-aggrandising at the same time--so much so, in fact, that he almost does not need the vast prosthetic body he has to wear for the part. Desiree Rancatore is an admirably sweet-toned Nanetta; Bernadette Manca di Nissa an appropriately sardonic Mistress Quickly; Roberto Frontali as Ford, in his Act 2 scena, perfectly distils and parodies every jealousy aria ever written, including Verdi's own. Haitink's conducting is exemplary in the lyrical passages, gets almost everything out of the fast and furious comic sections.

It has an average vote of 8 on TMDB.