ListSimilar.

1. The Foaming Node

Ian Haig’s The Foaming Node essays the discovery and emergence of new bodily organs in meticulous and captivating detail. We follow the last remaining observers, members of a cult of sorts, who have experienced both the transmissions of The Foaming Node, and their own personal and strange bodily transformations. They discuss exactly how the changes associated with The Foaming Node have affected them, telling fascinating, visceral, detailed tales that reach beyond science, alternative medicine, and corporeality.

2. ATASCAU (ATASCAU)

Four puppets that can't leave their house because of quarantine, decide to make a short film, but they have no idea what to make it about.

It has an average vote of 10 on TMDB.

3. You Can't Kill Meme

A hybrid documentary feature film about the genesis of "memetic magick" and its application by the alt-right in the United States.

4. Grinder-Man - G-VTR01 (Grinder-Man - G-VTR01)

A 19-minute short film featuring the six performances of the Japanese performance art group Grinder-Man. Only released on VHS.

5. All Star Video (電子の拓本)

A compilation of avant-garde artwork and talent of the mid to late 20th century hosted by Ryuichi Sakamoto.

It has an average vote of 6.5 on TMDB.

6. Moby Dick (Moby Dick)

Guy Ben-Ner, one of Israel's foremost video artists, gained international recognition with a series of low-tech films, starring his family in absurdist settings carved out of their intimate spaces and their everyday surroundings. Many of his videos are inspired by screenplays for films, folktales and novels. Analyzing these literary and cinematographic passages allows him to exploit the conventions of film narrative: how to tell a story, captivate an audience through a tale, sustain a degree of tension and entertainment, and so on. At the same time, he corrupts the magic of fiction by openly showing us the entrails of everything he records, without worrying about revealing the tricks of the trade. A large part of his filmic oeuvre features a conglomeration of cinematic and literary references which the artist quotes, adapts or interprets. Ben-Ner self-referentially links the great themes and their literary, cinematic and artistic realization.

7. Cumulonimbus

A 1970 projection of what may come when pollution over powers nature.

8. Untitled (Pink Dot) (Untitled (Pink Dot))

In Untitled , Murata transforms footage from the Sylvester Stallone film First Blood into a morass of seething electronic abstraction. Subjected to Murata's meticulous digital reprocessing, the action scenes decompose and are subsumed into an almost palpable, cascading digital sludge, presided over by a hypnotically pulsating pink dot.

It has an average vote of 7.5 on TMDB.

9. light is the first bodily form

Light is the first bodily form pays homage to the philosopher of light, Robert Grosseteste. The title is intended to be somewhat tongue-in-cheek since this video was made entirely in the dark, using only a circuit bent Webcam. No additional computer effects were added to the video. The music is the song “Rain Serenade” by Natural Snow Buildings.

10. The Enclave

Commissioned for the Irish representation at the 55th Venice Biennale in 2013, The Enclave is an immersive, six-screen video art installation by Irish contemporary artist Richard Mosse. Partly inspired by Joseph Conrad’s modernist literary masterpiece Heart of Darkness, the visceral and moving work was filmed in the Democratic Republic of Congo using 16mm colour infra-red film, which captures otherwise invisible parts of the spectrum. The resulting imagery in Mosse’s work is hallucinatory and dream-like with the usual greens of jungle and forest replaced by shimmering violet. The Enclave depicts a complicated, strife-ridden place in a way that reflects its complexity, using a strategy of beauty and transfixion to combat the wider invisibility of a conflict that has claimed so many.

11. to Crinkle their Wrist, Perfumed Splendour

An omnium-gatherum of film, poem, and song excerpts contextually juxtaposed in an attempt to explore masculinity, alienation, and identity in a post-industrial society.

12. Concrete Vache

Made for Milton Keynes Gallery's 10th anniversary using images from its archive and language from its press releases and catalogues.

13. Tecnoismo (Tecnoismo)

(Tecnoismo)

14. Magnética

In a city inhabited by drawn beings, an indigenous boy witnesses a holographic appearance. It is the arrival of an entity of unknown materiality. With a mysterious presence and exotic allegories, it starts to enchant the residents, awakening their most insane senses.

It has an average vote of 8.5 on TMDB.

15. Untitled #29.95

Originally produced anonymously and distributed by RTMark, Untitled #29.95 tells the story of the commercial art establishment's attempt to turn video art into a precious commodified object through the release of limited editions during the nineties.

16. VICE News Presents: 'Epstein Didn't Kill Himself'

How the mysteries surrounding Jeffrey Epstein’s life and death gave rise to a conspiracy theory that will never die.

17. The Statue of Giordano Bruno

This film was made out of the capture of a live animation performance presented in Rome in January 2005 by Pierre Hébert and the musician Bob Ostertag. It is based on live action shooting done that same afternoon on the Campo dei Fiori where the philosopher Giordano Bruno was burned by the Inquisition in 1600. A commemorative statue was erected in the 19th century, that somberly dominate the market held everyday on the piazza. The film is about the resurgence of the past in this place where normal daily activities go on imperturbably. The capture of the performance was reworked, shortened and complemented with more studio performances.

18. My Dad, the Facebook Addict

A Dad's excessive use of Facebook/Memes is put into question by his family.

19. #Trumpsplaining vol. 1

a movie about Donald Trump, Martian technopolitical fictions, Facebook/Youtube algorithmic rabbit holes, white male online radicalization & prank-pretended memetic warfare.

20. Music in the Afternoon

Fellow violinist and artist Tony Conrad, in collaboration with software engineer Tom Demeyer, made for Steina the instrument seen in this title. Conrad and the Vasulkas all taught at the University at Buffalo in the Media Study Department from 1976 to 1979.