"My heart belongs to daddy / Majn harts gehert tsum tatn" - the same old love song. But now it is actress Basia Frydman who sings it in Yiddish accompanied by her musicians at home in Kjell Westling's living room. And Tate, that's Basia's lovely old dad Simon, doing his work in a hairdressing salon.
Majn harts gehert tsum tatn is of 0 hour(s) and 4 minute(s). It is Produced By: Lindberg & Landoff Film HB. It was released on 1999-01-01.
Genres: DocumentaryMusic
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Animation with coloured salt by Aleksandra Korejwo. Music by Johann Strauss performed by the Strauss Festival Orchestra.
This is an educational short released by the Los Angeles Public Library explaining what to expect when you get your first period.
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Good Grief is a short stop motion animated documentary that explores the lessons we learn from dealing with grief and loss. Five real people share their true stories of losing something precious and what it has taught them about living.
Hungarian refugees in Austrian camps after the failed revolution in Budapest.
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(Ténérife)
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“Using straightforward, scientific methods, this video reveals irrefutable proof of the presence of the number 666 in the Universal Product Code, which appears on 95% of all supermarket products. A comprehensive, step-by-step deciphering process is used to break down the UPC into its component parts, and the derivation of the number 666 is made clear. Startling evidence of the role of UPC's in the new monetary system is uncovered--the prophecy of Revelation coming true today!”
Like the best USIA films, The Wall distills political events into an emotionally clear and compelling ideological "story". In 1962 Walter de Hoog gathered footage from U.S. and German newsreel sources and crafted this taut short film about the first year of the Berlin Wall. Straightforward, keenly balanced narration portrays Berliners as "accepting the wall but never resigned to it". The extraordinary footage of the first escapes was propaganda enough-- His challenge was to make the politics human.
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A metacinematic reflection on the nature of representation and the ongoing drug war in Mexico, Nicolás Pereda’s Flora revisits locations and scenes from the mainstream 2010 narco-comedy El Infierno, exploring the paradoxes of depicting narco-trafficking on film—its tendency both to romanticize and to obscure. To screen is both to project and to conceal.
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The bleached palette and home-movie aesthetics of Super 8 footage provide the image track for this testimonial about an illegal abortion in Mexico City in the 1960s, delivered in voiceover by the filmmaker’s mother. In its account of this intimate and disorienting memory, Lesser Choices summons a time of profound uncertainty—a moment from an era without rights—and offers a warning to the present.
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Traces the history and mechanics of the guitar riff over 60 years from the 1950s, from Chuck Berry through Hank Marvin, Black Sabbath and others to the White Stripes. Featuring interviews with some of the core arbiters of change and new techniques.
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Steve Harley and Cockney Rebel recorded and filmed live at the Birmingham Symphony Hall, England, November 24th 2012. With Orchestra Of The Swan and their Chamber Choir Orchestra Conductor Andrew Powell. Performing “The Human Menagerie” & “The Psychomodo” albums. “It's been a long time coming- something like 39 years. Now we're here, at last, with an orchestra and a choir and a big rock band, to play those first two albums pretty well the way they appeared on the original vinyl. Maybe some things should never change, in spite of progress. Welcome, my old friends.” - Steve Harley
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A 91-year-old Polish Holocaust survivor donates his violin of 70 years to a local instrument drive, changing the life of a 12-year-old schoolgirl from the nation’s poorest congressional district, and unexpectedly, his own.
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Interviews with people whom Gloria Steinem calls "pink collar" workers--those who wait tables.
Presented without voiceover, various kinds of breads are displayed and broken in a joyous celebration of starch, seed and salt.
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Encouraged by the polychrome onirism of the Ñuine land, Desiderio , a farmer from the south of Mexico, offers an offering to the Tupa, the ancient spirit of the hills to whom his grandparents went to to ask for rain and harvest. At nightfall, as he rests at the foot of a campfire, that mysterious being guides him to the core of an ancestral memory.
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Manon de Boer films the dancer Cynthia Loemij, who improvises to Eugène Ysaÿe’s 3 Sonates for Violin Solo.
Yallah! Underground follows some of today’s most influential and progressive artists in Arab underground culture from 2009 to 2013 and documents their work, dreams and fears in a time of great change for Arab societies. In a region full of tension, young Arab artists in the Middle East have struggled for years to express themselves freely and to promote more liberal attitudes within their societies. During the Arab Spring, like many others of this new generation, local artists had high hopes for the future and took part in the protests. However, after years of turmoil and instability, young Arabs now have to challenge both old and new problems, being torn between feelings of disillusion and a vague hope for a better future.
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Chesterton, Indiana's annual WIZARD OF OZ parade provides the backdrop for I MARRIED A MUNCHKIN, Tom Palazzolo's study of the life and career of Mary Ellen St. Aubin. Self-described as "normal, but little," Mary Ellen details her early start in show business as a performer in an all-dwarf vaudeville act, her brief appearance in 1946's THREE WISE FOOLS, her 1948 marriage to former Munchkin Parnell St. Aubin and their subsequent retirement from entertainment to run a bar in the South Side of Chicago. Two other former Munchkins briefly appear among the day's revelry. Also included is a postscript featuring Mary Ellen briefly describing the original size of her role in THREE WISE FOOLS, which originally featured a line and an ill-fated "flying" effect. - Tom Fritsche
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Have you ever woken in the night unable to move, certain that you are not alone? This is an experimental documentary examining what happens when dreams leak into waking life. It is about what is real, what is not, and if it even matters.
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