1. Ode to Joy: Beethoven's Symphony No. 9
Showcasing a musical masterpiece in a rare full-length television recording by the Vienna Chamber Orchestra with the Westminster Symphonic Choir, under the direction of conductor Mark Laycook. An introduction to the performance, narrated by actor John Lithgow, gives a unique perspective on music history.
2. Bugs Bunny's Overtures to Disaster
Bugs Bunny conducts an orchestra of all his greatest operatic hits.
It has an average vote of 6.5 on TMDB.
3. Claudio Abbado: The Last Concert
This was recorded over three nights at the Philharmonie in Berlin. It does, however, provide a fitting close to the career of Claudio Abbado, conductor of the Berlin Philharmonic from 1990 until May of 2013, when the music here was recorded.
4. Beethoven · Violin Concerto & Symphony No. 6 'Pastoral' (Bernard Haitink, Isabelle Faust) (Beethoven · Violin Concerto & Symphony No. 6 'Pastoral' (Bernard Haitink, Isabelle Faust))
(Beethoven · Violin Concerto & Symphony No. 6 'Pastoral' (Bernard Haitink, Isabelle Faust))
5. Of Love, Death, and Beyond: Exploring Mahler's Resurrection Symphony
“What is this life—and this death?” Gustav Mahler famously asked when composing his second symphony. Does consciousness “continue” on a higher cosmic level, he wondered, or is it “only an empty dream?” Narrated by renowned baritone Thomas Hampson, this film explores the musical, biographical, and philosophical background of the monumental work. Viewers are treated to beautifully produced historical reenactments as well as interviews with many of the world’s most respected Mahler scholars and biographers, including Henry-Louis de La Grange, Donald Mitchell, Morten Solvik, and others. Philosopher Martha Nussbaum and theologians Catherine Keller and Neil Gillman also add their insights. Woven throughout is a critically acclaimed performance of the symphony featuring members of the New York Philharmonic and the Philadelphia Orchestra under the direction of maestro Neeme Järvi.
6. Brahms: Complete Symphonies
After the great success of his Beethoven cycle, Christian Thielemann now turns with his new orchestra, the Staatskapelle Dresden, to the symphonic work of Johannes Brahms. Bonus features include: an extensive 52 minute interview with Christian Thielemann on Brahms' Symphonies and provides and in-depth look into his interpretation of Brahms.
7. Keeping Score: Beethoven's Eroica
Beethoven spent three years composing the Eroica, an intimate journal of his emotional crises and his dramatic emergence as an original master. Michael Tilson Thomas and the musicians of the San Francisco Symphony help you make sense of this voyage into life as it really is.
It has an average vote of 10 on TMDB.
8. Gustav Mahler: Symphony No. 2 Resurrection
In 2005, the Staatsoper Berlin and its orchestra, the Staatskapelle Berlin under musical director Daniel Barenboim, celebrated a series of events to celebrate the 80th birthday of French conductor and composer Pierre Boulez. Artistically associated for decades with Barenboim and Berlin, Pierre Boulez is one of today's most distinguished composers and conductors. As part of the celebration, Boulez conducted a performance of Mahler's "Resurrection" Symphony at the Berlin Philharmonie. With his uncompromising approach to the score, Pierre Boulez's Mahler readings have long fascinated critics and audiences alike. Boulez eschews the romanticized readings common in performance tradition and, instead, reveals the real joy and terror in Mahler's large-scale symphonies.
9. Bernstein in Vienna: Beethoven, The Ninth Symphony
To play Beethoven's music is to give oneself over completely to the child-spirit which lived in that grim, awkward, violent man. Without that utter submission it is impossible to play the Adagio of the Ninth. Or, Heaven knows, the first movement. And the Finale? Most of all! It is simply unplayable unless we go all the way with him, as he cries out "Brüder!" - Leonard Bernstein
10. Leonard Bernstein: Chichester Psalms Symphony No's 1 & 2
Leonard Bernstein performs three of his own compositions with the Israel Philharmonic Orchestra at the Philharmonic in Berlin.
11. Beethoven - Symphonies 1-9 (Berliner Philharmoniker, Sir Simon Rattle) (Beethoven - Symphonies 1-9 (Berliner Philharmoniker, Sir Simon Rattle))
Recordings of all the Beethoven symphonies with their chief conductor are always a milestone in the artistic work of the Berliner Philharmoniker. So it was with Herbert von Karajan and Claudio Abbado, and expectations are correspondingly high for this cycle conducted by Sir Simon Rattle. Where does the special status of these symphonies come from? Simon Rattle has an explanation: “One of the things Beethoven does is to give you a mirror into yourself – where you are now as a musician.” In fact, this music contains such a wealth of extreme emotions and brilliant compositional ideas that reveal the qualities of the orchestra and its conductor as if under a magnifying glass.
It has an average vote of 10 on TMDB.
12. 35 Jahre BÖHSE ONKELZ Symphonien und Sonaten Live – Das Klassikkonzert (35 Jahre BÖHSE ONKELZ Symphonien und Sonaten Live – Das Klassikkonzert)
(35 Jahre BÖHSE ONKELZ Symphonien und Sonaten Live – Das Klassikkonzert)
It has an average vote of 10 on TMDB.
13. Dragon Quest IV Symphonic Suite: London Philharmonic Orchestra Live (交響組曲「ドラゴンクエストIV」 ロンドン・フィルハーモニー管弦楽団)
Home video featuring The London Philharmonic performing music from Dragon Quest IV: Michibikareshi Monotachi, conducted by composer Koichi Sugiyama.
14. Beethoven Symphony No. 9
Karajan's very best video Beethoven 9th Symphony, recorded December 31, 1977. The Quartet of vocal soloists and Chorus in IV are superb. This is much better than Karajan's 1968 Berlin Philharmonic Beethoven 9 video , filmed in the Philharmonie with no live audience present.
It has an average vote of 9 on TMDB.
15. Paul Oscar with the Icelandic Symphony Orchestra (Páll Óskar og Sinfó á RÚV)
Icelandic pop-star Paul Oscar joins with the Icelandic Symphony Orchestra to give a performance during Covid19 lookdowns.
16. Samuel Barber: Absolute Beauty
Known for his mournful "Adagio for Strings," Samuel Barber was never quite fashionable. This acclaimed film is a probing exploration of his music and melancholia. Performance, oral history, musicology, and biography combine to explore the life and music of one of America’s greatest composers. Features Thomas Hampson, Leonard Slatkin, Marin Alsop and many more of the world's leading experts on Barber's music, with tributes from composers Leonard Bernstein, Aaron Copland, Virgil Thomson and William Schuman. The film was broadcast on PBS, and screened at nine film festivals internationally, with three best-of awards. It was named a Recording of the Year 2017 by MusicWeb International.
It has an average vote of 10 on TMDB.
17. Академия детских наук. Музыка. Как сочинять оперы. Фильм 4 (Академия детских наук. Музыка. Как сочинять оперы. Фильм 4)
(Академия детских наук. Музыка. Как сочинять оперы. Фильм 4)
It has an average vote of 9 on TMDB.
18. Symphony Hour
Mickey guest-directs a radio orchestra. The sponsor loves the rehearsal, but come the actual performance, Goofy drops all the instruments under an elevator, so they sound like toys. The sponsor hates it, but the audience loves it anyway.
It has an average vote of 6.707 on TMDB.
19. G. Mahler II. symfónia c mol "Vzkriesenie" (G. Mahler II. symfónia c mol "Vzkriesenie")
(G. Mahler II. symfónia c mol "Vzkriesenie")
20. Bernstein Brahms Symphonies
Here is the most convincing presentation of Brahms' symphonies that I personally have ever experienced. There is no explaining a gift like Leonard Bernstein, a true legend and one of the truly great ones of the 20th century . I have followed his career and recordings both at the NY Philharmonic and at Vienna . His brilliance and incandescence are revelatory in these Brahms performances. His view of a thorough-going romantic Brahms expressing his passionate control of an inner rage in classical form is convincing. He and this great Vienna orchestra give a consistent statement of it. And, of course, Bernstein's introductory comments are without peer.