An actor in search of fame finds on his Instagram the way to gain likes and boost his career. To maintain his fake life online, he does crazy things in real life and risks losing track of who he really is.
Social Mente is of 0 hour(s) and 0 minute(s). It is Produced By: Daquela Produtora, Cine Imperial do Brasil. It was released on 2021-09-16. It has the tagline: How far would you go for a like? It has an average vote of 10 on TMDB.
Genres: Comedy
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Ruth Butler, a clerk in an emporium, marries Jimmy Rutledge and thereby greatly displeases his mother, the owner of the emporium, because of Ruth's lowly origins. Renaud Graham, one of Mrs. Rutledge's friends, becomes interested in Ruth, forces his way into her apartment, and attempts to make violent love to her. Jimmy walks in on their embrace and, suspecting the worst, leaves Ruth. In the family way, Ruth finds refuge in a boardinghouse where she meets Al Bryant, an aspiring writer. Ruth tells Al her life story, and he makes it into a bestselling novel and then into a play. Jimmy sees the play and comes to his senses, winning Ruth's forgiveness.
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A comedy about the communication gap between a country club dad and his artist son. Freddie is 15 and doesn't like that a copy machine is closer to his dad than he is, Mr. Deansman runs a tight ship and no skate-punk son of his is going to stop him from doing his job...maybe?
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A film about Maija Isola, the designer of Finland’s most beloved fabrics. Her bold designs, which include classics like Unikko, Kivet, Kaivo and Melooni, were essential in creating Marimekko’s lifestyle universe. The film shows the secrets to the success of Maija Isola’s fabrics, the values at the heart of Isola’s globetrotter lifestyle, and the legacy she left us. The film is narrated by Maija Isola, as well as her daughter Kristina Isola. It takes us close to Maija as a person, artist, thinker and visionary through her letters. We also hear Armi Ratia’s thoughts on Isola both as an employee and as a friend.
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Filmmaker Ralph Arlyck first met Sean while living as a graduate student in Haight Ashbury at the height of the 1960s. The city was awash with the trappings of America’s cultural revolution-the San Francisco State University campus flooded with cops in riot gear, the Haight filled with drifters and idealists, and, on the third floor of Arlyck’s building, a come-one-come-all crashpad apartment. It was from this top floor commune that the precocious 4-year-old Sean would occasionally wander downstairs to visit and talk-and one day Arlyck turned on his camera. Sean’s casual commentary on everything from smoking pot to living with speed freaks was delivered in simple sincerity throughout the soon-to-be famous 15-minute film. This First Child of the notorious decade may have shaken the audience with his simple sentence- “Sure, I smoke pot”-but it was his barefoot impishness which would encapsulate the hope that lay in front of the nation: a promise of infinite possibility.
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