(Illégitime)
Illégitime is of 0 hour(s) and 0 minute(s). It is Produced By: P.S. Productions. It was released on 2014-02-05.
Genres: Documentary
(Illégitime)
Illégitime is of 0 hour(s) and 0 minute(s). It is Produced By: P.S. Productions. It was released on 2014-02-05.
Genres: Documentary
Top 20 Movies like Illégitime
(Le train le plus difficile du monde)
Thirty female prisoners share the convicts’ ward of Tuilière Prison at Lonay. More than half of them have one or more children being raised elsewhere: with a sister, in a foster family, or – further away still – in their countries of origin. In portraying some of these women, the film sheds light on these mothers and the bond that ties them to their children.
The Jean Tinguely Museum in Basel, Switzerland, designed by Mario Botta, opened in 1996, five years after the Swiss sculptor's death. META MECANO is a poetic depiction of the genesis of this mono-graphic museum, from the builders' first plans and Mario Botta's designs to its construction and the assembly of Tinguely's fragile mobile sculptures. In interviews with Mario Botta, Tinguely's wife Niki de Saint Phalle, museum director Pontus Hultén and Tinguely himself, the film goes on to explore the mission of museums and of art in general today. META MECANO is a unique document on the significance of the artist Jean Tinguely and on the role that museums play in our day and age.
(Mondes contraires)
(Le Hibou et la baleine, Nicolas Bouvier)
(Le salaire de l'artiste)
Documentary about Swiss grocery store pioneer Gottlieb Duttweiler
Kick That Habit is a 1989 film by PETER LIECHTI, an audio-visual portrait of his native country, eastern Switzerland. The film collects samples from the land-and-soundscape, underscoring in the process the oft-ignored industrial underpinning of our latter-day culture. Also native to eastern Switzerland is VOICE CRACK, the everyday household electronics duo of NORBERT MOSLANG and ANDY GUHL, whose musical workings are explored as part of Liechti s vision. Whether clicking quietly and rhythmically or humming and shrieking at ear-splitting volume, their recycled electronics produce innovative sounds and provide an appropriate accompaniment in this cinematic search for the detritus of our culture, the lost and destroyed remains of the last century of progress.
This film deals with the issue of mandatory military service in Switzerland. For four months, from February to May 1990, filmmaker Jacqueline Veuve and her team filmed a platoon engaged in basic training at Colombier, Switzerland.
The shooting of this peasant chronicle in the Gruyère region of Switzerland lasted a whole year, from July 1989 to July 1990.
Since the conflict in Darfur spread to the eastern border regions of Chad in 2005, some 13,000 people fled from this region to the refugee camp near the village of Gouroukoun. For them, the war is never far off. Many of these traumatised refugees have lived here for years, with little food, no work and no prospect of returning home. Zuchuat took his camera to the camp and captured their uncertain existence without providing any comment. He captures the refugees' arduous daily life in long shots, often from a single angle. They all have their own stories of how they ended up here, how they saw their families and fellow-villagers perish and no longer have any work, cattle or land. Another striking story is told by a child that uses a drawing to explain how he was chased away from his native village. Little girls sing a battle song while waiting for what comes next in this prison without bars.
Philippe Savoy head of the choir at Saint Michael's College in Fribourg is preparing to take his fifty-five students to Palestine for a series of concerts. From Bethlehem to Ramallah, passing by Jerusalem and Hebron, between check points and churches, discovering both refugee camps and historical tourism around the Dead Sea, the young musicians will discover an exploded territory, a country living in provisional peace with, in the background, the permanent humiliation of the Palestinian people.
In May of 1982 Julio Cortázar, the Argentinean writer and his companion in life, Carol Dunlop set out in their VW bus on a journey along the highway from Paris to Marseille that, for each of them, was to be their final one. Twenty-five years later, Océane Madelaine and Jocelyn Bonnerave set out to undertake the journey again.