The landscape of Lake Ontario is transformed into an ominous expanse using hand processing techniques.
Gibraltar Point (transformed) is of 0 hour(s) and 6 minute(s). It is Produced By: . It was released on 2016-10-01.
Genres: Documentary
The landscape of Lake Ontario is transformed into an ominous expanse using hand processing techniques.
Gibraltar Point (transformed) is of 0 hour(s) and 6 minute(s). It is Produced By: . It was released on 2016-10-01.
Genres: Documentary
Top 20 Movies like Gibraltar Point (transformed)
The theme of death is heavily interwoven in Smolder’s surreal salute to Belgian painter Antoine Wiertz, a Hieronymus Bosch-type artist whose work centered on humans in various stages in torment, as depicted in expansive canvases with gore galore. Smolders has basically taken a standard documentary and chopped it up, using quotes from the long-dead artist, and periodic statements by a historian filling in a few bits of Wiertz’ life.
It has an average vote of 5 on TMDB.
On Inauguration Day 2017, the filmmaker spent all day in a Washington, DC, used bookstore, where he bought a stack of audiotape secret telephone recordings of marital infidelity from 1969. At the Women’s March, he recognized the cosmic resonance of the phone with all that was happening.
It has an average vote of 6.5 on TMDB.
Mendieta, Ana: Burial Pyramide, Yagul, Mexico.
Guy Ben-Ner, one of Israel's foremost video artists, gained international recognition with a series of low-tech films, starring his family in absurdist settings carved out of their intimate spaces and their everyday surroundings. Many of his videos are inspired by screenplays for films, folktales and novels. Analyzing these literary and cinematographic passages allows him to exploit the conventions of film narrative: how to tell a story, captivate an audience through a tale, sustain a degree of tension and entertainment, and so on. At the same time, he corrupts the magic of fiction by openly showing us the entrails of everything he records, without worrying about revealing the tricks of the trade. A large part of his filmic oeuvre features a conglomeration of cinematic and literary references which the artist quotes, adapts or interprets. Ben-Ner self-referentially links the great themes and their literary, cinematic and artistic realization.
Still Life #02 is part of a broader investigation on our relationship with images and their immateriality. It emerges from the desire to touch the intangible: the digital image. It manages to embody the pixel and carve it with a chisel; to explore its physical nature through direct intervention.
Humans, Animals, Earth, Wind and Water, converge with the same energy of a filmic fire, which crosses and relates them. By the appropriation of educational images of 16 mm films, which in the past were used to educate us, Animal Within evokes a poetic collision between images of the human and the animal.
A fascinating journey with Israel’s notorious provocateur, Prof. Amir Hetsroni, into the depth of his romantic and interpersonal relationships, alienated childhood, and public persona versus his self-identity.
It has an average vote of 9.5 on TMDB.
The short film is a montage of sped up clips of The Ringling Brothers Circus in action set to a musical track. The film is separated into four segments, each segment which focuses on different acts within the circus. The later segments often incorporate clips from earlier segments, mostly as background to the featured acts. The speed of the clips match the tempo of the soundtrack music.
It has an average vote of 6.8 on TMDB.
"Now Eat My Script is a precipice, a fluid solution in which some spectral noises of the self float adrift. Narration takes the role of a pregnant writer who continuously affirms her hunger and clumsiness towards language and history. Her body is crossed over by both the years to come and the stories that have been buried. As a would-be pirate, she navigates through the tumult of familiar waters."
A walk through England’s south coast evokes the artists who lived and worked there.
It has an average vote of 6.5 on TMDB.
Dreamy images, often in slow motion, stirred or stirring, filmed along the banks of the Seine. Close-ups of water, blurred outdoor shots, shadows and silhouettes of people. A phenomenological portrait of the city, in a joint project with Andrea Emonds, whose voice enhances synesthetic experience.
Combining documentary with experimental video, "Grace Period" documents the activities of female sex workers in the Yeongdeungpo red-light district in Seoul, South Korea. Facing constant police crackdowns and the threat of permanent closure following the opening of a massive shopping complex adjacent to their workplaces, the women of Yeongdeungpo band together in protest. Archival footage, mostly shot by the women themselves, shows their collective efforts as they organize with other sex workers from brothels across the country. In creative and daring acts of resistance, they launch a series of demonstrations that trace a lineage to Korea's democratic union movements of the 1980s-- denouncing the government and corporate interests, demanding decriminalization, and declaring their rights as workers.
The film consists of three sequences shot by a fixed camera: the first shows the balcony of a hospital with patients , the second is a scraped wall and the third is a crossroad with pedestrians and cars .
A self described "documediamentary" about the reactions to the release of the then final Star Wars film, "Revenge of the Sith".
A dark formless body moves . Formlessness of an entity is because a constant change in form is perceived as formless
Multi-faceted artist Phil Niblock captures a brief moment of an interstellar communication by the Arkestra in their prime. Black turns white in a so-called negative post-process, while Niblock's camera focuses on microscopic details of hands, bodies and instruments. A brilliant tribute to the Sun King by another brilliant supra-planetary sovereign.
It has an average vote of 6.2 on TMDB.
16mm film by Paul Clipson, and music by Sarah Davachi. Filmed in New York, Los Angeles, Hong Kong, Brisbane, Krakow, Sidney, Portland, Napa, Oakland and San Francisco.
It has an average vote of 5 on TMDB.
A mysterious web of international shortwave radio towers once dominated the Tantramar marshlands near Sackville, New Brunswick. For almost 70 years the RCI shortwave towers broadcast around the world. Due to budget cuts, the site was decommissioned in 2012 and dismantled in 2014. Examining themes of identity and memory, the film captures images of the towers over four seasons in various weather conditions, accompanied by the voices of residents and technicians narrating accounts of hearing radio broadcasts emanate from their household appliances.
Mostly dark, rejecting images which are repeated. A stone wall, the chamber of a revolver which is, at first not recognizable, a close-up of a cactus. The duration of the takes emphasises the photographic character of the pictures, simultaneously with a crackling, brutal sound.
It has an average vote of 4.5 on TMDB.