Stanton breaks Billy and his two friends Fuzzy and Jeff out of jail. He wants them free so three of his men can impersonate them for the robberies and murders he has planned.
Billy the Kid Trapped is of 0 hour(s) and 55 minute(s). It is Produced By: Sigmund Neufeld Productions, PRC. It was released on 1942-02-27. It has the tagline: They Foolishly Tried To Match Bullets With The Kid" It has an average vote of 5 on TMDB.
Genres: Western
Top 19 Movies like Billy the Kid Trapped
When growing up in a community where gang violence is a way of life and Basketball is a way to escape it.
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Fight Club Rush 10 is a Fight Club Rush event on Nov 20, 2021 at Vasteras Arena, Vasteras, Sweden.
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A woman struggles to keep her stepdaughter from harms way after she hires an assassin to kill her husband, but the hitman turns and blackmails her for the crime.
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A short, graphically dynamic work contrasting contradictory views of perception and interpretation, by way of society's assumptions vis-a-vis phallocentrism and fetishism.
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An orphan girl taught magic by her sick grandma must find work in seedy Bangkok, where she encounters a number of unsavory characters. She uses the magical skills her grandmother taught her to her advantage and to increasingly horrific consequences.
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A young writer embarks on a journey to find out more about the taxi business in Lagos by becoming a taxi driver, he meets a young lady along the way and becomes fond of her.
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A director attempts to understand why he does what he does.
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From the birthplace of boxing legend Mike Tyson, young women brawl in secret fight clubs to win $1000 and invaluable street cred.
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A documentary film depicting five intimate portraits of migrants who fled their country of origin to seek refuge in France and find a space of freedom where they can fully experience their sexuality and their sexual identity: Giovanna, woman transgender of Colombian origin, Roman, Russian transgender man, Cate, Ugandan lesbian mother, Yi Chen, young Chinese gay man…
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Julián, a divorced man with financial problems, uses a cell phone application to share his car with strangers.
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San Francisco filmmaker Konrad Steiner took 12 years to complete a montage cycle set to the late Leslie Scalapino’s most celebrated poem, way—a sprawling book-length odyssey of shardlike urban impressions, fraught with obliquely felt social and sexual tensions. Six stylistically distinctive films for each section of way, using sources ranging from Kodachrome footage of sun-kissed S.F. street scenes to internet clips of the Iraq war to a fragmented Fred Astaire dance number.
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Luisa, a 20-year-old law student, joins a cell of the Antifa group when she and her friends Alfa and Lenor get to know about an upcoming attack planned by a local neo-Nazi gang. As they try to find out more, the three youngsters delve deeper into the scene linked to right-wing movements and their political connections, to the point where they will understand how much they are willing to go further, in order to defend their own beliefs.
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An analysis of the social upheaval of May 1968, made in the immediate wake of the workers’ and students’ protests. The picture consists of two parts, each with with identical image tracks, and differing narration.
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Gilles, who operates a money losing garage, teams up with his friends Max, who operates a scrap yard, and lawyer Xavier to open a brothel catering to women. They get the idea from Gilles' secretary Irma, a former prostitute. They are assisted in the implementation by Max's wife Juliette and Sabine who is mad for Gilles. Unfortunately Gilles has fallen for Florence the daughter of the conservative Prime Minister and his wife. When the Prime Minister tries to shut down the brothel Gilles decides to stand against him in the election.
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John tells the story of a young male, a psychiatric hospital patient who witnesses the death of another Black male patient at the hands of white staff. Blurring the boundaries between fact and fiction, this work draws from real life cases of mentally ill Black men who have died as a result of excessive force of the State.
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Emin's video CV is an accompaniment to her work on paper, Tracey Emin CV 1995 , which is a potted history of the artist's professional and emotional life from conception until 1995. This CV, read aloud by Emin, constitutes the sound-track to the video and provides contrasting background to the visual information on display. As Emin narrates her story of trauma and abuse, mixed with pleasure and success, the video takes the viewer on a journey through the artist's home. The artist is not visibly present in person until the last frames when she appears curled up naked on the floor of her sitting-room at the feet of her mother . Like Emin's handwritten CV, the video constitutes her self-portrait, in this instance adding the component of a journey around the space of her apartment to her narrating voice. -Tate
It has an average vote of 7.8 on TMDB.
